http://sarahjoyford.com/work
daily
0.75
2019-09-25
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Work
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For the longer I stop I get querer. 2018
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For the longer I stop I get querer. (detail) 2018
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I want, I want Collaboration with Juliet Fleming 2018
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I want, I want (detail) 2018
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I want, I want (detail) collaboration with Juliet Fleming 2018
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I want, I want (detail) collaboration with Juliet Fleming 2018
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V is for Vera - who’s keen on the fun 2018
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V is for Vera - who’s keen on the fun (detail) 2018
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V is for Vera - who’s keen on the fun (detail) 2018
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Oranges are not the only fruit.. 2018
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Oranges are not the only fruit (detail) 2018
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Resurrection 2018
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Resurrection (part 2) 2018
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Resurrection (part 1) 2018
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Sixteen Love Poems 2018
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Sixteen Love Poems (detail) 2018
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Sixteen Love Poems (detail) 2018
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Sixteen Love Poems (detail) 2018
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Strangers Collaboration with Jordan Taylor 2018
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The world cannot deny us. 2018
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The world cannot deny us (detail) 2018
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The world cannot deny us (detail) 2018
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We have run half of our lives from that damn word queer. 2018
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Dyke Rage 2017
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or with a lover who imagines we are not in danger 2017
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Unnamable by Choice 2017
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Unnamable by Choice, 2017
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because life is short and you too are thirsty 2017
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for this you might set your furniture on fire 2017
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a red flower in a cemetery of wreaths 2017
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a red flower in a cemetery of wreaths [detail] 2017
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Diving into the wreck 2017
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Diving into the wreck [detail] 2017
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Diving into the wreck [detail]
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Diving into the wreck [detail]
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She whom the moon ruled like us
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On lies, secrets and silence 2016
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Work
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yet more than stone: a woman. I choose to walk here. And to draw this circle. detail 2016
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But you look at me like an emergancy
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My Fight Is Over 2016
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Work
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This stepping backward for another glance 2016
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A breath on the long loaded scales 2016
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Sleaze, Set the Controls for the Heart of the Sun 2016
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Slipping from unsafe wombs 2016
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Memorial Quilt. 2015
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Trading Places, 12o Gallery. 2015
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Business is a Dirty Word. 2015
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I am crying helplessly and they still control the world (detail) 2015
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ordering hunger, weather, death, desire and the nearness of chaos 2015
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ordering hunger, weather, death, desire and the nearness of chaos 2015
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ordering hunger, weather, death, desire and the nearness of chaos. (back)
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a steady bargain with the way things are 2015
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a steady bargain with the way things are 2015
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Those who gobble, make it unpalatable 2015
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Work
Those who gobble make it unpalatable.
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Seeking the garden where all fruit is flawless 2014
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THE SALAD BOWL OF THE WORLD 2014
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Lucidity from darkness is yet to be marked out 2014
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The freedom of the wholly mad 2014
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To smear and play 2014
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The Grand Arcade, Seize Inaugural exhibition, 2012
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Your silence today is a pond where drowned things live 2013
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Your silence today is a pond where drowned things live. detail no 1 2013
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Your silence today is a pond where drowned things live. detail no. 2.
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Time Machine. 2012
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Archive 2018
http://sarahjoyford.com/community
daily
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2026-02-20
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http://sarahjoyford.com/projects
daily
0.75
2026-02-20
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Projects - The etiquette required for staying still is similar to playing dead
The Stanley and Audrey Burton Gallery, 2016
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Projects
Cut Cloth is an exhibition, publication and series of workshops that examine the shifting role of textiles within contemporary feminist art practices. The project takes place at The Portico Library and The Whitworth in Manchester in June and July 2017. Cut Cloth contemplates the rise in popularity of art textiles and its impact on its value as a specifically feminist mode of expression. Once a belittled and marginalized medium, it was a radical act [in itself] to bring women’s work into the gallery space. Artists looked to both subvert and celebrate textiles in order to disrupt the very femininities that it played a role in constructing. This project of reclamation and elevation is by no means finished- textiles still sit in an ambiguous space between art, craft, private and public space. However the increasing popularity and commercialisation of textiles, and of feminism in art and culture must be reflected upon. Cut cloth looks toward strategies that respond to these new challenges, drawing upon feminist legacies whilst acknowledging the shifting politics of cloth in contemporary culture. Exhibiting Artists: Hannah Hill, Katie Lundie, Rebecca Halliwel Sutton, Sarah-Joy Ford, Sophie King, Eleanor Edwardes, Orly Cogan, Wendy Huhn, Tilleke Schwarz & Bethan Hughes. Exhibition: 9th June – 5th July at The Portico Library, Manchester Contributing Writers: Professor Janis Jefferies, Elizabeth Emery, Charlotte Cullen, Dr Julia Skelly, Dr Alexandra Kokoli, Dr Christine Checinska, Gill Crawshaw, Jesse Harrod, Peninna Barnett & Dr Jennifer Harris. The project is kindly supported by Arts Council England, The Portico Library and The Whitworth Art Gallery. Please visit the website for more information: https://www.cutcloth.co.uk/
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Projects
SEIZE presents the work of 15 artists in a public poster exhibition held across Leeds from 5 – 18 October, to coincide with the launch of British Art Show 8. Over the course of two weeks Leeds residents, commuters and visitors to the city will be able to take a detour from their everyday routine and discover contemporary art on their way to work, on the high street, out shopping or on a lunch break. In addition to physical posters pasted onto poster drums across Leeds City Centre, www.paste-leeds.co.uk is an accompanying website of digital works. Taking ‘copy and paste’ as a starting point, SEIZE has invited the artists to create images, videos, gifs or playlists that address ideas surrounding the virtual and real in contemporary art practice, and their crossover in everyday life. Paste will therefore exists simultaneously as both URL and IRL, alluding to a perceived slippage between digital and physical production channels. Responding to a media arena saturated with competing advertising and brands, Paste explores the dissolving boundaries between artist-made, user-generated and commercial content in the wake of networked systems of information. The artists in PASTE are: Alice Khalilova Derek Mainella Lorna Mills Mathew Parkin Alfie Strong Oliver Sutherland Bradley Waller Jennifer Chan Adham Faramawy Jack Fisher Joey Holder Ashley Holmes Emilie Houldsworth Sebastian Jefford Will Kendrick PASTE took place in Leeds from 5 - 18 October 2015, coinciding with the opening of the British Art Show 8, an exhibition that also proposes to explore the convergence of the real and the virtual, and the status of the physical object in contemporary culture. SEIZE Projects benefits from the generous support of Leeds City Council’s Leeds Inspired funding scheme that has enabled them to realise the PASTE project. Other partners include &Model Gallery, Leeds. Maps of the poster drum locations are available to download HERE. For the full press release, click HERE [Art work in image: Alfie Strong]
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Hard Craft Sarah-Joy Ford and Juliet Fleming 14 November – 15 December 2018 Vane Gallery, NewCastle Women, like craft, are often portrayed as pleasant and placid. This exhibition celebrates protest and outrage, stitched into fabric and fired in the kiln. The suffragettes created a visual language of resistance through posters, pamplets, banners, sashes, handkerchief petitions and ceramic tableware. Many seemingly domestic objects became weapons of dissent and symbols for a societal revolution. On the 100-year anniversary of partial women’s suffrage in the UK, this exhibition of collaborative work draws upon the material histories of dis-obedient craft. Alongside the aesthetics of protest the exhibition also responds to the history of anti-suffragette propaganda. In particular the use of animalistic imagery that has long been a method employed to oppress and degrade marginalised groups as lesser, other and sub- or non-human. Here the artists are reclaiming an old insult depicting women as cats; gathering together symbols of female power and resistance. Through craft techniques these works celebrate a radical past, acknowledges the continuing struggle for equal rights, and makes a hopeful gesture toward a feminist future. Sarah-Joy Ford is an artist, curator and researcher currently based in Manchester. She is a co-director of SEIZE projects (Leeds) and the Queer Research Network Manchester. She has studied at The University of Leeds, The Hungarian University of Fine Arts, The School of the Damned and Manchester School of Art. Recent exhibitions include Queen, COLLAR Gallery Manchester (2018) Weaving Europe: The World as Mediation, Shelly Residence, Paphos (2017) SuperYonic, Copeland Gallery, London (2017) and Wish You Were Here, Stryx Gallery, Birmingham (2016). Curatorial projects include The Guild: Contemporary Textiles, Templeworks, Leeds (2016) and Cut Cloth: Contemporary Textiles and Feminism, The Portico Library, Manchester (2017). She has been commissioned as part of The Yorkshire Year of the Textiles, University of Leeds (2016), Processions, Artichoke (2018) and is artist in residence for Strange Perfume, Chetham's Library, Manchester (2018). Ford is the recipient of an AHRC North West Consortium Doctoral Training Partnership Award for her PhD research examining quilting as a methodology for re-visioning British lesbian archive. Juliet Fleming is an artist and curator. Born in London in 1991 and lives in Newcastle upon Tyne Fleming received BA Hons Fine Art from Newcastle University in 2015 and a Post Graduate diploma from Northumbria University in 2018 and is part of The Collective Studio, The NewBridge Project cohort 2018/19. Recent exhibitions include 'hubbub' GOLDTAPPED at The Middlesbrough Weekender, Middlesbrough (2018) ‘Six of one, half a dozen of the other’ Exchange Residency at The Royal Standard Liverpool and The NewBridge Project, Newcastle Upon Tyne (2018), ‘Close to you’, TESTT Space, Durham (2018), 'Aftertaste', The Trophy Room, Liverpool (2017) ‘I miss you, Blockbuster... ‘, is this it?, A217 Gallery, London (2017) ‘Worried Mother’ M I L K x Workplace takeover, Workplace Gallery, Gateshead, (2016). Fleming is the Director of GOLDTAPPED, an artist led initiative providing space for experimentation, development and support emerging artist practices. Hard Craft: Events Program Archive Screening: There is Power in the Material Cinenova There is Power in the Material is a screening of feminist film & video from the Cinenova collection. The moving image works explore the politics of domestic spaces and highlight the use of craft mediums within feminist and queer protest movements. Cinenova is a volunteer-run charity preserving and distributing the work of feminist film and video makers. Cinenova was founded in 1991 following the merger of two feminist film and video distributors, Circles and Cinema of Women, each founded in 1979. Cinenova currently distributes over 400 titles that include artists’ moving image, experimental film, narrative feature films, documentary and educational videos made from the 1920s to the late 1990s. www.cinenova.org Thursday 6th December 6-8pm Vane Gallery Talk: Activism on our sleeves: radical women and dress Helen Antrobus, The People’s History Museum, Salford. In this centenary year, marking 100 years since some women were able to vote, protest and civil disobedience have become more important than ever. From the Women’s March to the People’s Vote, the fight for our voices to be heard reflects similar struggles of 1000 years ago. The formidable women of the suffrage movement – from the law abiding suffragists to the militant suffragettes- truly demonstrated how to get organised – including being one of the first political groups to inject symbolic colours and patterns into their dress. Protesters past and present have used symbolic dress as a way to proudly display their cause. From 1819 to 2018, join historian Helen Antrobus as she brings these stories to life. Helen Antrobus is the Programme Officer at the People’s History Museum. She specialises in the history of radical and political women, particularly in the women’s suffrage movement. She is a regular contributor to programmes made for BBC One, BBC Four and BBC Radio 4. https://phm.org.uk/ Saturday 14th December 2-4pm Vane Gallery
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The Temple of the Tongue. Rosie Vohra.
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http://sarahjoyford.com/artwork
daily
0.75
2026-02-20
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a red flower in a cemetery of wreaths [detail] 2017
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Diving into the wreck 2017
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My Fight Is Over 2016
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The Grand Arcade, Seize Inaugural exhibition, 2012
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She whom the moon ruled like us
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A breath on the long loaded scales 2016
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This stepping backward for another glance 2016
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Slipping from unsafe wombs 2016
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ordering hunger, weather, death, desire and the nearness of chaos 2015
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Those who gobble, make it unpalatable 2015
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Whatever it is, the way you tell your story online can make all the difference.
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